In 2000 started a clown traning practice in the circus school of Alcorcon (Madrid), and accomplished a degree in technical architecture. Between 2000 – 2005 was a founding member of Extra-Vagante Theatre, a company directed by Hernán Gené.

Made the training programme at the Actor’s Replika Theatre-Academy and continued her theatre training with Juan Carlos Gené, Fernando Piernas, Tom Leabhart – physical mime, Soledad Garre – Michael Chekhov technique, as well as butoh dance and contact improvisation in Madrid, Buenos Aires, Paris and Barcelona.

Developed skills in fine arts constructing puppets, with which she made research and created several theatre pieces. At the same time was working at the Foundation Pere Mitjans with people with disabilities, and joined the theatre company Varietats a L’ombra.

Currently, she is investigating the relationship between the act of performance and the work on herself. Participates in the Laboratory ‘Residual Memory and collaborative practices’ lead by Toni Cots at Cra’p, in the workshop ‘Paula method and movement’ lead by Diana Gadish, and in the course lead by Serge Wilfart on breathing, voice and singing.

Since September 2014 is a team member of Cra’p – practices of creation and artistic research.